ET 331 HARMONIC EAR TRAINING 1

 

 

 

Instructor:  ______________________________________________

 

 

                        Mailbox:  _________              Phone:  ___________

 

 

                        Office:  ___________             Office hours:  ______________

 

 

 

Course Chair:  Steve Prosser

 

 

 

Course Description:  Identification of chord progressions.  Root motion, guide tone resolution, melody/harmony relationships.  Acquisition of harmonic dictation skills.

 

 

 

Course Objective:  Through progressive exercises, the student will develop techniques which will facilitate the aural recognition of harmonies and harmonic progressions, and upon satisfactory completion of this course will be able to accurately notate chord progressions of basic to intermediate difficulty.  In at least every other class a series of individual chords are played for recognition.  Chord quality must be identified and there is special emphasis on chords with tensions.  Melodic dictation is also included with the intent on recognition of chord tones and melodic tensions.

 

 

 

Required Textbook:  None.

 

 

 

Homework, Projects, Out-of-class Preparation:  Listening assignments and quizzes will be given at the discretion of the instructor.  A midterm and a final exam are also required.  In order to maintain satisfactory standing in this class, approximately two hours per week of out-of-class preparation are recommended.

 

 

 

Midterms:  March 8-12

Final Exam Date: May 3-7

ET 331 hnd

Page 2

 

 

 

Grading Criteria:

 

A  (90-100)     Superior, exceptional; control of course material enables excellent production.

B  (80-89)       Good grasp of material enables above-average production.

C  (70-79)       Average; assimilation of material enables acceptable production.

D  (60-69)       Below Average; exposure to material enables poor, but passable production.

F  (below 60)   Not Passing; assimilation of material insufficient to demonstrate acceptable productive capacity.

 

 

 

Final Grade Determination:  Your final grade will be determined by considering the following components at the indicated weights:

 

25%     Attendance

25%     Quizzes

25%     Midterm exam

25%     Final exam

 

 

 

Attendance Policy:  If your fourth unexcused absence occurs before the "W" deadline (see below), the instructor may withdraw you from the course.  If your fourth absence occurs after this deadline, a course grade of F may result.  Withdrawal is not automatic.  It is ultimately your responsibility to initiate withdrawal proceedings prior to the "W" deadline.  In case of doubt, ask the instructor or the Counseling Center.

 

 

 

Deadline for Course Withdrawal:  5:00 pm Friday, March 26, 2004.  Neither the instructor nor the student may initiate a "W" after that date.

 

 

 

 

 

 

 

 

ET 331 HARMONIC EAR TRAINING 1

 

Topical Course Outline

 

 

 

1.         ORIENTATION.  Start diatonic harmony (Ionian) examples in C, F, G, Bb, Eb,.  Instructor performs 4 & 8 bar examples of various harmonic rhythms and difficulties.

 

2.         Continuation of diatonic harmony  - keys of Ab, Db, Gb, A and E.

 

3.         Addition of secondary dominants.  Simple voicing - various keys.

 

4.         Addition of substitute dominant 7ths (primary and secondary) in various keys.

 

5.         Use of passing and unprepared diminished chords; various keys.

 

6.         Use of secondary II7 V7 patterns; use of substitute secondary

            II7 V7 patterns.  Increased melodic and harmonic tension.

 

7.         Common Deceptive Resolution of V7/I in various keys (V7 of I resolving to VI7, III7, III(b5), V7/VI, bIII maj.7, #IV (b5), bVI maj. 7, bII maj. 7, and bVII 7.

 

8.         Midterm Exam - using examples from previous lessons.

 

9.         Use of common modal interchange chords; various keys (bII maj. 7, bVI maj. 7, V min 7, bVII 7, bVII maj. 7, III 7(b5), etc.)

 

10.       Unresolving dominants (progressions involving regular usage of chord in key the first time, then as unresolving dominant). Various keys - use of II7, III7, IV7, VI7, and VII7.

 

11.       Unresolving dominants - use of bII7, bIII7, bV7, bVI7, and bVII7.

 

12.       Extended dominant patterns, use of II min.7 V7's and substitute II min 7 V7's.

 

13.       Blues progressions and voicings; various keys. Standard Blues; Be-Bop Blues - variant forms, etc.

 

14.       Extensive review.

 

15.       Final exam.